5 Ways Author Solutions, Inc. Limits Writers & Authors

author solutions iuniverse trafford xlibrisAlthough Kevin Weiss, Keith Ogorek and Eugene Hopkins might try to tell you differently, Author Solutions is a company that severely limits what authors can do with a manuscript, both in terms of finished product and sales.

Yeah, I know there are a few happy stories out there about writers who’ve worked with them and done better than all right. Those stories are really, really hard to come by, and I’m not exactly convinced they aren’t complete fabrications.

1. Author Solutions doesn’t take no for an answer.

I’ve published a few interviews already that illustrate pushy sales tactics are the norm at Author Solutions’ vanity presses. Philip J. Reed gets annoying phone calls years after the fact. Jodi Foster gets hard-sell emails to buy her own books with happy promises of a larger profit margin the more she buys. But do a search and you’ll find tons more stories from Pissedconsumer.com, Complaintsboard.com, and Ripoffreport.com.

That’s because pushy salesmanship is a way of life at Author Solutions. Consider the current job description for the position of Marketing Consultant. Notice the employee’s responsibilities will be to “call current authors to proactively sell promotional and editorial services to newly contracted authors” and “proactively call authors previously live to sell same services.” That “previously live” bit really gets me. Trying to get away from iUniverse or any Author Solutions publisher reminds me of that catchy Eagles’ tune…

...you can check out any time you like, but you can never leave!

author solutions iuniverse sales

Aside from that, 80 (eighty! eight-oh!) percent of the job’s duties are making 50 or more outbound phone calls a day to current authors. Good heavens that’s a lot of time on the horn for one little ol’ salesman marketing consultant. I wonder what would happen if they let that one person spend, say, 30 percent of his time returning the calls of angry customers.

2. Author Solutions owns a confusing number of vanity press brands.

Click on that job description thumbnail if you haven’t already, and take a close look at the logos sprawled across the top of that page. Smart shoppers with the best of intentions think they’re really doing their homework when they compare ratings and prices of companies including Author House, Trafford Publishing, Xlibris, iUniverse and Word Clay. But what’s with all those brands?

They’ve purchased a number of previously independent vanity presses to give you the illusion of choice while actually limiting your choices. Don’t be fooled though; you get the same absurdly overpriced junk and shit customer service no matter which of those Author Solutions brands you choose.

See this comment for a full list of associated brands.

3. Their disorganization adversely effects customer service.

Customers frequently complain that they get passed along from person to person when trying to get help from Author Solutions. Remember the employee who said, “So many departments throw clients back and forth to so many different people it’s no wonder they get so upset by the time they reach you?” In the company’s defense, it’s hard not to pass off customers when employees are so miserable they jump at the first opportunity to quit.

4. Author Solutions royalty reports are inconsistent.

It’s difficult to say which complaints are brought up most frequently by iUniverse and Author Solutions writers. There are three that I see over and over and over and over again: pushy salespeople, failure to deliver on overpriced marketing services, and inaccurate royalty reporting.

I find the royalty issue particularly disturbing. I mean forget about making a living from publishing this way, what if an author just wants to recoup expenses?

As Jodi explained in yesterday’s post, she asked for royalty reports on her book from three different iUniverse employees, and all three reports were different. When she confronted them about it, someone blamed the Author Solutions IT department for the discrepancies.

Even with their own inadequacies staring them right in the face, Eugene Hopkins had the nerve to insist Jodi be the one to provide proof of sales. Lawrence Fisher made similar complaints, and in response Author Solutions Marketing VP Keith Ogorek wrote in a comment on Fisher’s blog:

“Again, if you have any paperwork that shows sales through Amazon that Amazon has not reported, please provide that and we will gladly pay you the royalty on that sale. That’s all we are asking for. Some supporting documentation so that we can have justification for paying out the royalty. We offered you the opportunity to show us if we missed anything. To date we have not received that. We look forward to receiving the support for your claims.”

Writers may want to sell their books or maybe even start writing a new one after publishing with Author Solutions. Instead, they’ll find themselves copying receipts and sales documentation to prove the royalty reporting at iUniverse is a shambles. It’s that or keep losing money.

5. Author Solutions brands stigmatize writers.

Publishing with iUniverse or Trafford or whoever isn’t necessarily going to end your writing career and force you to live out the rest of your life begging for alms, but you should know that publishing with a vanity press leaves a mark. First, there are the all-too-common editing errors and the lame covers.

But also, reviewers are much less likely to peel back the cover of your book unless you pay them. And readers—if you can get them to even look at your cover—think that if you have Editor’s Choice and Reader’s Choice emblems you paid for them. (And let’s be honest, you have paid. Dearly.)

Related Stories:

Author Solutions, Inc. Employee Cries ‘Scam’
iUniverse ‘Trifecta’ Book Review Services a Huge Ripoff
iUniverse Complaints: Interview with Philip J. Reed
More Author Solutions, iUniverse Scam Details Surface
Even Employees Don’t Like iUniverse & Author Solutions

iUniverse Complaints: Interview with Jodi Foster

Today I’m publicizing the story of Jodi Foster, author of Forgotten Burial: A Restless Spirit’s Plea for Justice. When we first started talking, Jodi informed me that iUniverse had asked her to stop airing her complaints and contacting other authors.

Ha!

iuniverse complaints jodi foster

Foster's story will appear on Syfy's "Paranormal Witness" this October.

That’s when I knew I just had to publish her story here on Suess’s Pieces.

Today’s interview is yet another call for iUniverse and other Author Solutions companies to be held accountable for their actions.

Like Jodi told me a couple of weeks ago,  “We as authors and consumers need to ban together and stand up for our rights as artists. We should not be bullied by iUniverse or be afraid.”

Jodi names names in her account. In most cases I have used only the first initial of the employee’s last name; for Eugene Hopkins I’ve made an exception. His name is already all over the internet and is suggested as a contact by former employees.

ES: At what point did you realize you’d been scammed?

Foster: iUniverse has some real good sales people that could sell ice water to an Eskimo. After writing my book and having it professionally edited by Meredith Cooper, Managing editor for Chico News and Review, I was ready for self-publishing. I researched and saw that iUniverse was number one in self-publishing on a Google search. However, after more research I realized that Xlibris, the other company I was looking at, was part of Author Solutions, the parent company that owned both publishers. Since iUniverse was number one, I chose to go with them. I am really sorry I did.

Kathy W. sold me on the Bookstore Premier Pro package, which I purchased for $1,499. This program qualified me for Rising Star and Editor’s Choice, supposedly two prestigious writing awards offered through iUniverse.  I thought the amount of money she was asking for seemed pricey. I told Kathy I was a low-income single mom with two kids, and it was going to be a stretch for me to pay this amount of money, but she was a convincing sales woman. I knew I had a great book on my hands that had been read and reviewed and edited by a newspaper editor, an elementary teacher, and a college professor. My book, Forgotten Burial: A Restless Spirit’s Plea for Justice, was even connected to a New York Times best seller, published by Random House. I asked Kathy if there would be any other future costs and she said no.  I went ahead and took my savings, and bought the package. Well guess what…iUniverse lied, I soon found out that there were other hidden costs.

After I sent the money I uploaded my manuscript to iUniverse. Two weeks later I got an e-mail that said they loved my book and it would qualify for their Editors Choice program; however, my manuscript needed a developmental edit. I said to Kathy, “My book has been professionally edited already and proofread three times.” Apparently I was going to have to spend more money to have iUniverse do it again.

She said,  “If you want to reach the Editor’s Choice, which I am sure you will, and have iUniverse get behind you to market your book, you will I have to buy a developmental edit for, $4196.26.

What…

I said, “Are you kidding me? I already had my manuscript professionally edited.” She convinced me it was not good enough for these prestigious awards, and I soon found myself on a payment plan.

Stupid, naive me. This is when I realized I was being scammed.

After paying, I did receive these awards. I was promised my book was going to be promoted by iUniverse due to the fabulous content, nature and the remarkable writing.

Hummmm, weird, I thought because not much in the developmental edit had changed. My story was still the same, with only a few minor adjustments. I was mad that I had to spend so much money for such minor changes, but Kathy again and again promised me Marketing! Marketing! Marketing! And, now that I received Rising Star, iUniverse would be promoting and pitching my book to bigger publishing houses. This sounded good at first. However, once again I was misled.

Yes, I was given a marketing consultant, Brian H. He told me iUniverse has a bi-yearly magazine that features all the Rising Star Authors and that they would be pitching my book to agents who produced movies and TV shows. I was excited at first but, unfortunately, the only thing I actually got from Brian H. was another sales pitch to buy a marketing package for $3,999.

Grrr…. anger is a kind word for what I was feeling. Misled again.

I told Kathy W. there was already a lot of information out there regarding my story. If I had received Rising Star and Editor’s Choice, why did I have to pay more money for marketing? She said that her job with me was over and that it was no longer her job. My book was now in the  hands of Brian H. Well, Brian H. did absolutely nothing for me except try and sell me more unneeded BS.

All iUniverse did was print my book, give me a hard time, and exploit me for money. And if this wasn’t painful enough? After printing, I received the cost for each book. I was not expecting to sell as many books as I did. So I questioned iUniverse’s customer service about their prices and asked where all my money was being spent. Basically, an author only receives $1.60 per book, a topic not discussed when you are purchasing your POD package.  This is what I received from Sherry T., who apparently works under Pamela H., for costumer relations at iUniverse: Continue reading

iUniverse Complaints: Interview with Philip J. Reed

Today’s interview with iUniverse customer Philip J. Reed is a must read. He published not one but two books with iUniverse (Her Life Will Be Set to Music and God Ran Out of Faces).

I offered to include links to Philip’s books, but then he reminded me that he wouldn’t see a penny of the money from the sale anyway and told me it wasn’t necessary. So here’s a link to his blog instead: Noiseless Chatter.

ES: What initially made you decide to publish with iUniverse?

philip j reed

Philip J. Reed blogs at Noiseless Chatter

I ran into a friend of mine, with whom I hadn’t spoken for years.  She was a poet and I had been writing fiction for about as long as I’d been alive, and she had just had a book of her work published through iUniverse.  I didn’t then know what a subsidy publisher was (which I think was how they were marketing themselves at the time, though I could be wrong) and I’m not sure she did either.  We were young and I think she thought she was being legitimately published.  When she presented it to me as an option, I then also thought of it as legitimate publishing.  Word of mouth worked very well in their favor in this regard, but it didn’t do much for us getting the right information.  It wasn’t until I had already started submitting my own manuscript that I got a copy of her book, and found it to be full of errors…both grammatical errors and printing errors.  That should have tipped me off then, and I feel rather foolish that it didn’t.

ES: You published two books with them, so there must have been something you liked that drew you back to the company for the second book?

That’s a good question, and a fair assumption.  But I wouldn’t really say that there was something I liked about it – apart from, maybe, the speed and ease of publishing – so much as I convinced myself that I could have a better experience than the first time.  With my first book, it was full of errors.  It looked awful and cheap.  And while I’ll certainly allow that most of the errors – read on for why I don’t say “all” – were my own, even the basic packaging and presentation of the book were subpar.  It was cheaply made with smeared ink and bleeding colors.  While I know it’s unfair to blame the publisher for the content of the book, I don’t think it’s unfair to blame them for the shoddy approach to their basic printing duties.

So why did I go back?  It’s almost embarrassing to admit this, but I went back because I HAD to have a better experience the second time.  In most businesses if you are treated poorly, you can choose not to return.  That’s the end.  But with publishing, your name is out there.  It’s on a book.  People can find that book easily.  And if it’s a book you’re not proud of, it never goes away.

I needed a second book out there that could be found instead, one that wouldn’t reflect quite so horribly on me.  So I deliberately published something shorter and less complicated, which would hopefully then be subject to fewer mistakes.  I was right…I’m much more happy with how the second one turned out.  But it doesn’t change the fact that it was a reactionary approach meant to bury the mistakes of the first.

I actually pulled the first book out of production a few years ago, but every so often I search for it and find that it’s still available for purchase.  It’s hard not to draw unsavory conclusions from that, but, hey, what do I know.

ES: What part of the process turned you off?

A few things turned me off, but I only realized them later.  With my first book, for instance, I know that a lot of the errors are mine.  I corrected as much as I could – or thought I did – before submitting.  Then I got the proofs back and went over them carefully…only to find that they were absolutely riddled with errors.  At the time, I thought I just did a horrible job proofreading it, but, hey, I still had another chance here to correct it.

So I spent days correcting everything, and I sent it back.  At the time, this was part of the basic process, and didn’t cost more money.  By the time of my second book, any changes made to the proofs WOULD cost money.

Due to the nature of the proofing process, however, this just created more mistakes.  You had to describe changes, rather than make them yourself.  For instance, if you had a sentence reading “He chased the bus,” but it was supposed to read “She chased the bus,” you couldn’t just add an S.  You had to fill out a form explaining where in the manuscript the error was.  In other words page number, line number, sentence…something to that effect.  I can’t remember for sure, except that it was more clinical and less intuitive than one might think.

So you’d fill out a form specifying that there was an error on page 219, paragraph 7, line 3, word 1.  The error is that it says “He” but should say “She.”  That’s it.  No context.  Which means that you’d better be damned sure the people making the changes are interpreting your instructions correctly.  If they misread a number or miscount something, the wrong word will get changed.

Sure enough, the wrong word got changed a LOT in my corrections.  From there, you were allowed to specify 50 changes for free, and any more than that would cost more money.  I genuinely think this was something of a racket, as for every change I specified, not only was the original typo still there, but now they created another one.  I specified my 50 changes (though it needed a lot more that I couldn’t afford at the time), which were also then made incorrectly, and was stuck with a novel in which my original errors had multiplied like cockroaches.

And, honestly, part of me wonders if some of those original errors weren’t inserted on the publisher’s part, to juice me for the correction fees.  That’s admittedly just me being suspicious, but nothing I’ve heard about them – or experienced with them – would lead me to believe that they wouldn’t do that.

ES: Why have you decided to give up on this method of publishing?

As I mentioned, my second attempt went much better.  I provided a thoroughly vetted manuscript as free of error as was humanly possible, and did not specify any corrections to be made.  (I learned that lesson.)  I was happy with it, but it was a comparative happiness, compared to the trainwreck of my first experience.

Soon afterward, and I mean probably days afterward, I attended a reading by Jeffrey Eugenides, who was then promoting his brilliant novel Middlesex.  I met with him both before and after the reading – I was fortunate enough to strike up a conversation with him without realizing who he was! – and we talked about fiction for a long time, and even exchanged book recommendations.  He was – and is – a humble and excellent man.

Toward the end of the night I told him that I had just self-published my second book, and he took me by the arm and said, “I don’t want to detract from what you’ve done.  Finishing any kind of project on that scale is impressive.  But I will tell you now, because it sounds like nobody else has told you:  stop self-publishing.”

And I was done.

ES: Is there anything else about your experience you want to share with others considering using iUniverse?

Sure, I’ll share that they hound me to this day.  It’s been many years since I’ve so much as logged into their site or worked with them, but I can count on a phone call from an unfamiliar number or an email from somebody I’ve never heard of before, telling me they want to update my information, or confirm what they have on file.  I don’t know how they manage to track me down every time – I’m several states and phone numbers away from where I was when I worked with them! – but it gets annoying.  It’s particularly telling, I think, that it’s a different person contacting me every time, always introducing themselves as the account liaison (or some such thing) for my books, so I guess they have a pretty high turnover rate.  I’ve asked them not to contact me anymore, but, in fairness to them, the people I ask keep getting replaced with new people so I guess they don’t know that.

Also, I’d be surprised if I made $300 profit, total.  That’s nothing to do with iUniverse, but it’s something I feel compelled to mention, lest anyone out there think that self-publishing might be a shortcut to success.

I regret self-publishing, and I’m currently seeking a literary agent to represent my much better manuscript.   It may take me years to find one, but that’s okay.  It’s worth the effort, because the manuscript is great.  If it weren’t great it wouldn’t be worth the effort, which should probably tell me something about how unnecessary self-publishing really is.  Regardless, I’m doing it the right way from now on.

The only way.

How to Self-Publish: An Interview with Hans V. von Maltzahn

Before we get started today, I need to say thanks to Paul Little for putting me in touch with today’s author and thanks to Hans for agreeing to answer my questions.

The interview you are about to read is a detailed account of how how one man self-published his book for real, without wasting money on a vanity press like iUniverse or Author House. Although some of the specifics of his story deal with self-publishing in Canada, everyone will benefit from the author’s advice. He’s also graciously allowed me to publish his PowerPoint on the subject, which you’ll find at the end of the interview.

Hans V. von Maltzahn is author of THE BLACK SUN ASCENDANT: An Assassin’s Tale. You can buy his book on Amazon and Smashwords.

ES: Can you explain the self-publishing process you used?

Hans von Maltzahn

Hans von Maltzahn author of THE BLACK SUN ASCENDANT: An Assassin's Tale

von Maltzahn: Essentially, I began the self-publishing process by writing a novel the usual way, one chapter at a time. When the novel was finished after the fifth year and after another year searching for a “legitimate” publisher or literary agent to take the manuscript with no luck, I decided enough-was-enough, I would publish the book myself.

Editing

I edit each chapter approximately four or five times before moving on to the next chapter. Each chapter starts out on paper, written in pencil and eventually ends up on the computer. (I can’t look at a blank computer screen, so the paper is like my sketch pad where the computer is my canvas.)

After a good many chapters are completed I do what I call a draft, i.e. a full re-edit of the manuscript as finished to that point, line-by-line. (I read line-by-line from the beginning of Chapter 1 to the end of the chapter that I have just finished). I guesstimate that I read THE BLACK SUN ASCENDANT: An Assassin’s Tale approximately 900 times over six years.

Cover Design

I looked for photos on the internet that I could combine and redesign on a good photo-software program, and then experimented with a variety of looks before choosing one that suited the flavour of my book. In truth, my wife checked out the choices and said that the simplest was the best and she was proved right – everyone loves the cover.

Layout

So that my book would have the look of a traditionally book, I studied and copied the styles I liked for my book.

Other things to consider after your manuscript is finished are obtaining an ISBN number, Catalogue In Publication (CIP) and Copyright registrations for your manuscript. Include the ISBN number on your copyright page of your finished manuscript. You’ll need a different ISBN number for each incarnation of your book (i.e. in physical book, eBook, graphic novel, or audio book format). ALSO, you need an ISBN for each eBook distributor that you use. I have one ISBN for my Amazon.com eBook listing and a different ISBN for my Smashwords.com listing; not to mention the third ISBN for the physical copy of The Black Sun.

I would suggest that you keep a copy of your finished manuscript in both Word and Adobe Acrobat (PDF) formats. This way you will have both formats available to you when you settle on one of the many FREE ePublishers out there, and will be able to upload the appropriate format of your manuscript into their system.

Printing

For printing the physical copy of my book, I decided on a local printer who specializes in printing books. The proximity of the printer enabled me to meet regularly with my contacts at the company and see the progress of the book’s publication. I also had direct contact with their layout person, and we both got together regularly to see samples of my book and discuss the final layout. It’s nice to be able to talk face-to-face with someone rather than have to play phone tag or email tag, which can lead to costly mistakes.

When it came to ePublishing, I followed a friend’s advice and listed with Amazon.com (for sheer size and brand awareness), and Smashwords.com for their distributor network worldwide. BOTH ePublishing companies list your book for FREE. If you are paying someone to list your book as an eBook, then you’re using the wrong people!

With Amazon.com I was listed and selling my eBook within approximately twenty minutes of filling out the online paperwork and up-loading a PDF copy of my book. Smashwords.com was more involved and took one-and-a-half months to be accepted into their premium catalogue that allows for worldwide distribution. With Smashwords, because they need to reformat your manuscript into every conceivable eBook format, you need to fully strip your manuscript of all unnecessary formatting and send it to them. They have a Style Guide that you can follow that is comprehensive in its explanations, but the process is frustrating. The resulting worldwide sales exposure, however, is well worth the month or more of reworking the manuscript.

ES: How much did it cost you to self-publish?

Black Sun Covervon Maltzahn: There should be no cost to upload your book to an ePublisher. I didn’t pay anything to Amazon.com or Smashwords.com to take my book, and they are listing it for only a percentage of the royalty. Their royalties usually stay within 15% to 20% of each of your book’s sales, and the terms are clearly laid out in the agreement section of their respective websites. The royalties are deducted from the returns on sales of the book.

I paid about $15.00 per book to print the physical copy of my book and ordered only 200 soft cover copies, because I wanted only a limited edition printing. The printer could have given me a discount for one thousand books or more, but what would I do with one thousand books sitting in my home?

I told the printer that I wanted “the look and feel of a hard cover for my soft cover” and so we went with higher quality paper and a stiffer cover board with inner flaps for a book synopsis and rear cover bio. I love the quality of the resulting book and so do those who have obtained copies from me.

ES: How do earnings (royalties) work on the books you sell?

von Maltzahn: For the physical copy of The Black Sun, I get 100% of the sale price ($20.00 CDN) since I paid to get it printed. I market it and distribute it myself.

The royalties for me from Amazon.com and Smashwords.com, as mentioned above, are usually between 75% and 80% per sale of each eBook. This is much better than going with a traditional or vanity publisher where the royalties, as I understand it, are much lower because they say they will help market your book.

ES: What was the most difficult part of the self-publishing process for you and why?

von Maltzahn: Editing the manuscript was the hardest, most tedious process for me, as it is for most authors. I also hired an editor for the sixth draft of The Black Sun. However, polishing The Black Sun took more of my time than writing it!

The other difficulty was preparing the manuscript for Smashwords. I literally had to produce a twelfth draft (line-by-line edit for all seventeen chapters) before I was accepted into their premium catalogue for worldwide sales.

ES: For authors with a manuscript who feel overwhelmed trying to get their book out there, what advice would you give?

von Maltzahn: Self-publish! Look to get your book on the internet and sold in as many eBook formats as possible and through as many distributors such as Apple, Amazon, Barnes & Nobel, Kobo, etc.

In addition, the authors should do their homework: research eBook distributors on the internet, talk to others who have published their books online, and be willing to learn about the process of getting your book into an eBook format. As you’ll notice from my PowerPoint presentation, the bulk of the work is producing a finished, polished manuscript and only the last bit is bringing it to the ePublisher.

 

 

Vanity Presses & Self-Publishing

With all this talk about vanity publishers and self-publishing we sometimes talk about them like they’re the same thing. And though I’ve been very careful to point out the differences between traditional publishers and vanity publishers, I’ve been less careful about the differences between self-publishing and vanity publishing.

It can be difficult to keep it all straight. Particularly with vanity presses like iUniverse trying to reposition their services as “self-publishing” and “assisted self-publishing” services to avoid the stigma of being labeled a vanity press.

Erin LaleI asked Erin Lale to help me set the record straight, because I think people are getting tired of hearing me yap about it.

Let me introduce you to Erin:

Erin’s writing and publishing career began in 1985. She wrote for The Sonoma Index-Tribune, published a whole lot of disparate stuff, was the Editor and Publisher of the quarterly magazine Berserkrgangr in the print era, owned The Science Fiction Store in Las Vegas. She’s the author of 16 books, the Editor and Publisher of the Time Yarns anthologies in the shared world Time Yarns Universe, and the Acquisitions Editor at Eternal Press and Damnation Books.

In short, she knows a little bit about publishing and self-publishing.

The Definition of Self-Publishing

Self-publishing means the author contracts book designers and artists, buys her own ISBN blocks and edits the story. In short she’s a one-woman professional publishing company. Self publishing means the author does it herself, and it means she owns the press that publishes the work.

The Definition of a Vanity Press

Vanity presses are companies that you pay to publish your work.

The Definition of Assisted Self-Publishing

“Assisted self-publishing” is to self-publishing as “assisted living” is to home ownership. It means paying for an institution to do what you can’t do for yourself. There is a place for vanity publishing. Grandmothers who want to create a book of memoirs to give as a gift to each of their grandchildren, businessmen who want to carry a few copies of “their” book on the topic of their business to professional lectures, charities that want to sell recipe books to raise money, poets and religious scholars and other people who have a book that has no commercial potential might do just as well with a vanity press as with true self publishing, if the goal is simply to get the words between covers and not to try to make a living as an author.

Understanding the differences in these publishing methods is crucial if you’re goal is to make a profit from the sale of your books and traditional publishing is not in your future. As Erin says, “If you plan to make significant money from your book, you’re better off with true self-publishing because the unit costs are lower once you reach a certain sales threshold.”

So there you have it. Feel free to discuss.

Read More:

Even Employees Don’t Like iUniverse & Author Solutions

If employee reviews of Author Solutions, Inc. are any indication, the company and it’s many self-publishing imprints face an uncertain future.

According to anonymous reviews on Glassdoor.com, an online community providing information about jobs and companies, the approval rating of Author Solutions CEO Kevin Weiss is a staggering 12%, and the overall company rating is 1.3, which translates to “very dissatisfied” according to the Glassdoor.com rubric.

Of course it’s likely that only the most disgruntled employees are taking the time to vent. But with such horrible ratings, one has to wonder where the loyal employees are hiding, if, in fact, there are any loyal employees to be found.

The review headlines for a majority of the anonymous responses are cringe-worthy, particularly when you take into account that  majority owner Bertram Capital would like to unload Author Solutions in the near future.

A March 7, 2012 Publishers Weekly article states:

“Coming off of a year with sales of $99.8 million and net income of $4.2 million, representatives for Author Solutions Inc. are looking for a buyer for the self-publishing giant. According to the offering memorandum, majority owner Bertram Capital, which made its first investment in ASI in 2007,  is interesting (sic) in ‘pursuing a liquidity event as part of the normal investment cycle.'”

Maybe a sale could shake things up enough to change some of these review headlines:

  • Disappointing
  • Poor leadership
  • Just not worth it
  • Awful first job
  • Poorly run and slightly delusional
  • Poor upper management
  • Great idea…pathetic, greedy implementation

Poor Leadership

thumbs down iuniverse

Employees’ stories have several recurring themes: poor leadership, constant fear of outsourcing, and dishonest business practices. In fact, one reviewer wrote of the leadership at Author Solutions, “Senior management … spends bulk of their time watching Hulu and playing on Facebook.”

Another reviewer expressed concern about the executives’ lack of regard for customer satisfaction. “As I spoke with more and more customers and took it up the ladder, I realized that the company did not have its customers’ interests at heart.”

That reviewer was not alone. Another writes,

“AuthorHouse’s [an imprint of Author Solutions] management is the worst. Their entire focus is the bottom line with very little care for their employees or their customers…Middle Management at AuthorHouse is usually good, but Upper Management is out of touch with production or the realities of the processes they have installed. Most of the time it ends with customer dissatisfaction, unprofessional products, and shoddy workmanship.”

Threats of Outsourcing

Several employees report that they fear losing their positions to outsourcing citing a “culture of constant fear” and “fear of your job being outsourced.” This came as a result of operations and production responsibilities being shipped to the Philippines. An employee writes, “Pretty soon this company will be completely run out of Cebu. After I quit, my position was sent overseas rather than filled in the States.”

The reviews just get worse:

“The final blow was how they treat expansion. Make no mistake, Author Solutions is moving where the labor is cheap… And the employees that get replaced? They get taken into a room and fired with no warning, no notice. The boxes to clear your desk are piled by the door, and these meetings include 10-20 people at a time. Worst business ever.”

Customer Disservice

I feel for some of these Author Solutions employees, I really do. When you need a job, you take one. And it can be weeks or months before you realize what kind of outfit you’re actually working for.

To those current and past employees of Author Solutions, iUniverse, Author House, et al. who regret taking advantage of customers and being a part of this organization, take comfort in the fact that at the very least you haven’t lost your humanity yet.

If you ask me, any place getting these kinds of comments should do some serious soul-searching:

“Extremely disorganized. So many departments throw clients back and forth to so many different people it’s no wonder they get so upset by the time they reach you.”

“Outsourcing handled poorly and without any thought or planning, which greatly affected authors.”

“The products they offer and the promises they give their customers, many of whom are retired men and women spending a huge chunk of their savings to write and publish their books, are junk. No one buys them. They get almost no royalties. The dishonest business this place conducts made me sick to my stomach.”

[box type=”info” style=”rounded” border=”full”]iUniverse Complaints: The Complete Index[/box]

Photo credits: Pratheepps; Dan Poehlman

Want to See Me Do a Cartwheel?

When Joan Moran decided she’d had enough of iUniverse and their parent company Author Solutions, she told them she was taking her files and going home. Only they wouldn’t give her the files she paid them to create when she bought her publishing package…unless she paid them another $150.

Is iUniverse a Ripoff?

It would have cost her $700 to leave with her files, but she waited them out for 18 months to save the additional $550 they would have charged her for walking away earlier.

The iUniverse sales rep she talked to knew she planned to edit her work on her own and continue self-publishing without them. Still, that customer service rep sold her an un-editable PDF of her manuscript. He might as well have picked her pocket.

Friday, Joan tried once again to get her money back. This time she wrote Marketing Vice President Keith Ogorek:

“I was sent the PDF file of my book but found it totally useless because it was locked. I was purchasing a locked file. Why would I do that? When I asked if my PDF file would be what I needed to edit, I was told it was what I needed. A Word file would have sufficed and I had my original, but I was never told that because you obviously wanted to collect $150 on a file I had already paid for.”

Help Us Reach 500 Tweets Each

So far, no one at iUniverse is listening to Joan. So I’m making it easy for you to stand with her and spread the word about iUniverse’s predatory sales tactics. Pick one or all of the tweets below and click the retweet button to share. Share them as frequently as you want.

When each message reaches 500 retweets or Joan gets her refund, I’ll do a cartwheel and post the video of it to YouTube.

You know you want to see that.

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